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Seedling

Azalea floats. She has flowed, she is flowing, she will flow. Forever. She has been drifting on the currents for so long. Her fins whisper, her tail sighs. She floats.

The current intersects her with a cloud, glowing, and she brushes against the gases, taking a drink. It is nice to feel something different on her skin once in a while. She glimpses her reflection on the way by, pale, quiet, her tree the usual brown. What is she doing here?

The glow fades to twilight as she drifts on before completely disappearing. For as long as she can remember, Azalea has slipped through the cosmos.

The current brings her by a pebble, drifting along with her. As they cross paths, Azalea feels her leaves murmur. A feeling? For the first time, she slows down so she can inspect the pebble. It is tiny, maybe the size of her eye. Staring at the rock, Azalea swims against the current, waiting to understand what is happening. The rock is oblong, reddish gray, pock-marked in her glow. It is a fascinating shape, imperfect, ugly, dull and Azalea believes she could hang there forever, inspecting it. Her attention drifts. She is patient. She has time. She has all the time.

She sees another tree. Huge, beautiful. Swimming alongside, laughter flowing. They are dancing. They are joy. Effervescent. Who is that? She doesn’t know.

She looks back at the pebble: it is the same. Grey, lumpy. It is magical. She feels her leaves rustle again. Intrigue. She lets the current float her onward, away from the magical rock. She passes a nebula and studies her reflection, slowing down for a second time. Is she brighter than usual? Maybe it’s her imagination. Her glow seems to pulse faintly, her leaves are still rustling in excitement. She does a double take. What is that colour? Does she have a green leaf?

She tries to laugh, like in her vision. But it sounds all wrong. She stops. Instead, she tries out a move, pushing fast through the cloud, and slowing down abruptly with a twirl. It feels nice. She floats on. Maybe she’ll find another rock.

She sails on in the sea of nothing, carried by the tides. But she feels… a buzz… Excitement. That’s the feeling. She drifts by a nebula not unlike those she used to drift by before, but this time she decides to investigate. More rocks could be hidden beyond.

As she enters the nebula, she is surrounded by colour, light, and she is suddenly elsewhen. The other tree is back beside her, magnificent. Bright, green, brilliant, glowing. They swim gracefully, weaving through the rocks. The rocks are huge, nothing like her small pebble, but also very similar. Snapped out of the vision by a thought.

“That was me,” she says, in wonder.

When did she ever have a companion? Where did they go? She remembers being alone. But also not being alone. She swims on, purposefully. Curious. Searching for something. Another rock? Another memory?

She dives onward, practicing her dancing, and almost runs into a ball of light. Larger than her rock, maybe the size of her fin. Smooth and round, it glows so brightly it almost hurts to look at. So Azalea closes her eyes and remembers. She remembers the first star she saw, the other tree drawing her close. It was warm, so big, but not next to her mother. Her mother was enormous. She remembers.

The stellar wind buffets her fins and she snaps out of the dream. Her mother. She is surprised she remembers, surprised she forgot. Her leaves shiver, and she feels, as she dances around the star, frolicking in its light, its heat, its waves. She feels the love of her mother, the joy of song, the rapture of her first taste of stardust, the excitement of venturing into a nebula alone, and the relief when her mother found her. Dancing to the sound of the nebula, so much more lively than the sober tune outside. Maybe she’ll never leave. But maybe there are other memories out there, other feelings. What else can she feel?

Still dancing, she says goodbye to the star — her magical awakening — and swims out into open space. Chasing purpose. How could she have forgotten? Where did time go?

A bright sound reaches her and she follows it back to its source, the rumble piercing through her shell, opening another memory, and she sees her mother, smaller. Or was she bigger?

Corralling the asteroids, guiding them, trailing them like an extension of her tail. “Once these were stars”, she said. “Soon they will be dust, memories. But they are always beautiful.”

Her mother, only a little larger than Azalea, less bright, still beautiful. Her song is mellow, quiet, proud, as she tells Azalea about her own mother, her own travels, her own memories. “When I was little, smaller than you, my dearest, my mother sang to me of her grandmother, the brightest tree in the universe. My mother told me of her grandmother’s grandmothers, the myriad trees living together, the stars, the life she felt, the life she lived. She told me of clouds that sozzle and dust that dazzles. Even just the two of us can live alive.”

Her mother, smaller, fading. Sadness pouring off Azalea as she knows her mother isn’t forever. As they swim toward the endless horizon, freeing a planet here, sending a star there, Azalea feels lost even before she has lost. Afraid. Her mother comforts, singing the song of the universe, her favourite lullaby. Azalea calms, feeling peace, remembering contentment.

Her mother tiny, dead. Drifting on the waves, no longer in control, no longer leading, showing, teaching. Death. Azalea remembers death. The blazing pain, the booming panic, the horrified loneliness, the loss of colour, the dimming of the stars, withdrawing into the darkness, and finally the vengeful silence.

Azalea reaches the origin of the bright rumble. The dark song beckons, and Azalea is drawn to the emptiness and the song quiets. She feels at home. Azalea drifts into the darkness, comforted by the stillness, the slowing. Numbing. Forgetting.

How long does she float, unmoving, uncaring? As she lets her memories slip by, she catches one. Her mother, massive, as big as a galaxy, looking right at her, smiling. “One day, my love, you will look around at the sky and know you are home, even when it hurts.”

Azalea holds on to that thread of her mother, remembering her solace in the moment. Thinking of the star she found, hidden away inside a nebula. That warmth, that joy. Even fleeting, it’s worth feeling again. Considering the space around her, drifting timelessly, even here in the quiet, there is sound if she listens hard enough, a thin, scintillating melody, filtering in through the edges of the deep, stretched by time. Even here in the emptiness, there is matter if she is still enough hard enough, the particles bumping into her, sustaining her tree. Even here in the darkness, there is light, the faint glow reflecting off the dust, reflecting from her own body, but also sneaking in from outside. Like her memories. Sneaking back in. Rushing in, breaking her.

Feeling. She bursts backwards out of the black hole, and explodes back into time and space, blasting past galaxies as her feelings erupt. It is too much! Her tree is convulsing, her skin vibrating, her fins unable to stop her. She opens her mouth, her eyes, and releases a dazzling scream. Feeling relieved, she watches in fascination as her scream pierces through a nearby cloud, scattering it, and in dread as it does not dissipate as her song usually does. The scream is trumpeting towards a galaxy. Horrified, Azalea swims, faster than she has ever swum, and dives ahead of her scream before it gets too big, even for her. As it breaks onto her skin, she feels the feelings all over again, the fear ripping into the trunk, the anger shearing off branches, the grief crushing the detritus, and the joy making it all worth it.

The galaxy behind her shudders in the aftershocks and Azalea breathes out, heavily, quietly, grateful that she arrived in time. With her feelings diffused, she treads space for a while, thinking, calming her tree. She slowly swims away again, slipping between the stars. She remembers her mother and unbinds a song of outrage, fuelling a nearby star. She remembers her youth and releases a song of exultation, nourishing a cluster of asteroids as she passes. She remembers her loneliness and whispers a song of mourning, bolstering a cloud in the distance.

As she swims around the galaxies, among the stars, between the planets, and through the clouds, she encounters newness, laughing, crying, yelling as she goes. For too long, her song had been quiet, singing it only to herself. She may be the last tree in the universe, but her song affects the dust and the stars, the clouds, the streams. Maybe there are other trees out there, spread out further than before. For the first time in a long time, Azalea feels hope.

Be well, my love.


Author’s note

If you’ve ever struggled with emotional numbness, not feeling anything, or caring about anything, please talk to someone about it. You can read about my own experience with numbness as a teenager here.

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Storytelling with the Eight-Point Story Arc

The eight-point story arc, a concept in Nigel Watts’ book “Write a Novel (And Get It Published),” introduces how a writer can bring a character from their everyday life to a new normal after having learned something.

The eight points in the arc

  1. Stasis: this is the characters’ everyday
  2. Trigger: something happens outside their control
  3. Quest: they now have a purpose to fulfill
  4. Surprise: things happen along the way
  5. Critical choice: characters will need to make difficult decisions
  6. Climax: surprises and choices lead the characters to a high point in tension
  7. Reversal: characters learn from the story and become heroes
  8. Resolution: characters find a new stasis and resolve all tensions

For more information on the eight-point arc, you can watch this video, or read this article.

In the infographic below, I’ve applied the 8 steps to a simple story of two adorable insects just trying to get by in the cruel world.

Science notes!

Izzie is a banded woolly bear (Pyrrharctia isabella), which turn into the Isabella tiger moths. Orek is a European rhinoceros beetle (Oryctes nasicornis). Both are herbivorous, with Izzie eating a wide range of plants and trees (unlike many caterpillars who are very picky eaters) and Orek eating mostly fruit and sap (unlike the youth of the rhino beetles which eat vociferous quantities of rotting wood). The adorable evil bird is an American bushtit (Psaltriparus minimus), which eat insects like Izzie and Orek. Not this time, bird, not this time.

I used insect information from several sources including the following:

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Thunderous Adventure?

For my live-tweet, I chose to tell the story of a city-trail walk I took with friends.

As we arrived at the trailhead, the sky turned angry, so the stakes became whether we would we get soaked or not. (Spoiler alert: we did not.) Throughout the walk, I included photos of the scenery around me, a bit of my search for beavers, and updates on whether we were being rained on.

For the whole thread in order, please read it in a “Moment” here. (Also please ignore the typo!)

I had a beginning, middle, and end, and included stakes in the story, but I found that a lot of storytelling techniques are very difficult to do without pre-planning, and any structure I ended up with was largely coincidental.

Wins

A few things I did well:

  1. The stake I chose is relatable (the threat of being caught in a thunderstorm) and universal (the conflict of “man vs nature”).
  2. I included characters (me, nature, the vilainous storm)
  3. It’s pretty simple. Just a walk through the woods.
  4. This story was written as I talk, so it’s authentic.
  5. Bringing in the recurring themes (beavers, ducks, rain updates) created intrigue (although see below, because it could have been done better!)

Fails

Unfortunately, in reading through the thread, there were more things I could have improved than I did right! Here are a few of the things I would try to do if I were to do it over:

  1. Including more character and emotion. I was the main character, and I didn’t include much in the way of getting to know the me so that you could root for me. (A few details I might have included: I hate the heat wave we’ve been having, I’m not much for nature, and I love watching a good thunderstorm from the other side of a pane of glass.) I did include the explanation of Pooh Sticks, at least!
  2. Including more flow. If I were re-doing this story with the benefit of hindsight, I would have posted more explanatory tweets to tie the story together, and maybe even re-ordered. For example, I would have expanded upon the beaver thread throughout. My family and I used to visit the beavers in this park before the city exterminated them. A few years ago, the city started reintroducing the beavers because exterminating them screwed something up with the ecosystem (I also would have researched whether this was actually a thing or memories of a child!) and so looking for beavers was exciting for me.
  3. Including more context. Many of the tweets were very short, caption-like tweets, and upon review, they could have used more explanation. Besides the lack of beaver context, I would have liked to have expanded those like “Babies! So cute!” to something like “We’re in full-blown nature, folks. Ducks (and babies, at that!), squirrels, beavers, oh my!”
  4. Including more variety of media. I should have included a video or two, maybe showing the beaver dam, or the wind blowing instead of only photos. Also for some of the photos, I should have either taken them in landscape, edited them, or re-positioned their preview section as I posted them.

Next Time

Live-tweeting as you walk without tripping, slowing down your group too much, or missing anything — especially in an attempt to tell a story — turned out to be more difficult than live-tweeting an event where I post to capture the highlights and/or insights (and also where I’m frequently posting on a computer!). However, the experience did teach me a lot about storytelling, and I think I will be able to do a better job next time.

Note: Apologies also for the technical difficulty: I didn’t realize I was threading on the first tweet only! (Therefore Twitter is not showing the tweets in chronological order, but in some random order.) In any case, I made a Twitter Moment of the live-tweet so you can read it more easily.

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More than a Story

As with many avid readers, I have a to-read list that is so long it would be physically impossible to get through in my lifetime. Because of this, I rarely re-read a book, even if it was the best thing I’d ever read. Despite this, Tamora Pierce’s Tortall series is an exception that I will continue to re-read, over and over again.

The series now covers multiple generations in the world and I care about the characters more than most of my casual acquaintances.

From the first book, Alanna, the First Adventure, Pierce hooks readers with a strong, honourable, ambitious girl who wants nothing more than to be a knight in a world where females are not allowed to be knights. The first series in the Tortall world (The Song of the Lioness) follows Alanna’s inability to back down from a fight which gets her into countless scrapes and extraordinary situations. We also see her grow from a pre-teen into a fully-fledged knight-errant, roaming the world in search of glory, then returning to save her homeland from a great threat.

The Story

Alanna and her twin brother swap places on their way to their individual boarding education, with her brother off to learn magic and Alanna off to become a knight by pretending to be her brother. She is able to keep her identity secret until the end of the second book, when she is fully-knighted when a man who has been trying to usurp the throne of her kingdom outs her, and she leaves the kingdom in disgrace, despite having saved the royal family from death by voodoo doll.

The final two books describe her travels as Tortall’s first lady knight in several hundred years, taking lovers, and doing her best to bring glory to her country. While Alanna is off forging bonds with foreign lands, her brother, now the most powerful sorcerer in the world, is taunted into “proving his power” by bringing back the usurper from the dead. Disgusted that her old nemesis is back, Alanna leaves again, this time set on stealing a magical stone from the top of a mountain from a protective spirit that will bring prosperity to her country.

On her way home, she encounters a disowned princess with whom to set up her best friend, the prince of the kingdom. When she gets home, she helps to foil the plot of the usurper, but not before he’s killed the king, queen, and Alanna’s brother.

First Love

Besides being one of the first longer books I read as a youth, and therefore highly nostalgic for me, this series sticks with me to this day for many of the storytelling principles learned in our class.

  • It’s universal,
  • Has a clear structure,
  • Is simple, and
  • Gives us characters to root for.

Universality

The struggle of honour vs malignance, the struggle of women in a male-dominated world, the struggle of a teen to grow up and find her place… Tamora Pierce has written an infinitely relatable tale, even beyond its marketed audience of junior high girls.

Comparing it to Christopher Booker’s 7 Basic Plots, it works in several of them, including “overcoming the monster” (the usurper threatening her homeland), “the quest” (both to become a knight and then to collect the mythical stone that will save her kingdom) and “the voyage and return.”

Clear Structure

Since the books follow Alanna chronologically as she grows, they are separated into clear periods of her life, from girlhood, teenagerhood, new adulthood, to a fully-grown woman.

Simple

These books are not overflowing with descriptions of feasts or fashion (cough cough George R.R. Martin cough cough) that readers (or maybe just me…) will skim over, nor are there any extraneous characters. The series is not convoluted, but not so simplified as to be boring or confusing.

Characters

And of course, the books give us characters we can root for. Alanna is my perfect woman: determined, hard-working, and honourable, while also being stubborn, over-focused, and grumpy. She charms everyone around her, including us readers with her flaws and impresses us all with her strengths. And the author doesn’t shy from throwing the world of troubles at her. She overcomes them all with her own grit and integrity, the friends she made along the way, and a bit of early intervention from a goddess who sees her potential (is that cheating? maybe, but I forgive her!).

Stuck with Me

The stories have stuck with me to this day because of the characters told and the world built. Pierce wrote characters that were realistically strong and flawed, threw so many stakes at them that we had to root for them, and put them in a story that didn’t get in the way of itself with overwriting. Pierce’s example of storytelling is one I hold dear to me as a writer and communicator.

The world Tamora Pierce built will always be a place I want to live in, and her characters will always be my friends.

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